Originally published by ThinkerMedia: BestThinking.com on March 20, 2011
The fourteen energetic dancers of Hubbard Street Chicago treated us to a mesmerizing interpretation of Sharon Eyal and Gai Behar’s new Too Beaucoup. Clad head to foot in flesh-colored body stockings and matching makeup, the anonymous, seemingly cloned, dancers were driven relentlessly by the persistent breathtaking soundtrack.
IMHO, what made this production essential viewing is its exploration of the increasingly busy, and at the same time, fuzzy interface between machine and man, human and robot. The timely dance masterpiece raises urgent points: How and where are human relationships with each other, with cloned
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